Modern wall coverings are considered one of the most important plastic and artistic methods used by the Potter to cover the different surfaces, whether it is wall surfaces, the floors or ceilings, they are considered part of the important architectural design, its forms vary including wall coverings executed in different ways ( gypsum , metal , aluminium ) and painted in different colors or ceramic wall coverings using clay and glazes ,each of them has different properties in the work depending on the idea presented by the artist , the mural is considered a form of ceramic expression which allows the potter a wide range of potter a wide range of freedom of expression, the researcher has endeavored in the current research to try to use the glass synthesis technique on clay title surfaces to enrich the field of ceramics education through harmony and perfect coexistence between clay and glass with the aim of achieving unity and integration between them to produce various and different ceramic murals from an aesthetic and intellectual standpoint with artistic solutions and a new technical character, taking advantage of Islamic geometric decoration and the elements ,it contains can be formulated in a way that enriches the field of ceramic education.
fahmy, D. A. (2024). "Glass Synthesis of Modern Wall Coverings Inspired by Islamic Decoration to Enrich the Field of Ceramics". Journal of Heritage and Design, 4(1), 178-195. doi: 10.21608/jsos.2024.313115.1578
MLA
dina adel fahmy. ""Glass Synthesis of Modern Wall Coverings Inspired by Islamic Decoration to Enrich the Field of Ceramics"", Journal of Heritage and Design, 4, 1, 2024, 178-195. doi: 10.21608/jsos.2024.313115.1578
HARVARD
fahmy, D. A. (2024). '"Glass Synthesis of Modern Wall Coverings Inspired by Islamic Decoration to Enrich the Field of Ceramics"', Journal of Heritage and Design, 4(1), pp. 178-195. doi: 10.21608/jsos.2024.313115.1578
VANCOUVER
fahmy, D. A. "Glass Synthesis of Modern Wall Coverings Inspired by Islamic Decoration to Enrich the Field of Ceramics". Journal of Heritage and Design, 2024; 4(1): 178-195. doi: 10.21608/jsos.2024.313115.1578