Modern technology and the digital revolution have been able to penetrate the world of visual art significantly nowadays, and as digital technology has affected the transformation of the artistic fields, artists have a deep understanding of the world of visual technology and the exciting output of modern technology, as the artist today is experiencing an exciting experience in the field of visual art with a deep understanding of the requirements of the times, and one of the branches of digital art is pixel art, and one of the branches of digital art is pixel art. The artist realized the importance of the pixel technique in the image and was the spark for the birth of a new artistic trend by entering the field of sculptural works, so pixel art, which is one of the most important digital arts in the twenty-first century, appeared as an artistic direction expressed by many sculptors through their artworks, believing that pixel art carries great visual power, through pixel art they were able to abandon the computer screen and digital works became part of the real world, as the sculptor was able through this digital art to formulate realistic sculptural works that express digital dynamics, and became a visual stimulus that the viewer interacts with.
Mohamed Elsayed Mohamed Shata, G. (2024). Pixel Art between Digital and Realism and its impact on Creative Sculptural Thought. Journal of Heritage and Design, (), -. doi: 10.21608/jsos.2024.298514.1536
MLA
Ghada Mohamed Elsayed Mohamed Shata. "Pixel Art between Digital and Realism and its impact on Creative Sculptural Thought". Journal of Heritage and Design, , , 2024, -. doi: 10.21608/jsos.2024.298514.1536
HARVARD
Mohamed Elsayed Mohamed Shata, G. (2024). 'Pixel Art between Digital and Realism and its impact on Creative Sculptural Thought', Journal of Heritage and Design, (), pp. -. doi: 10.21608/jsos.2024.298514.1536
VANCOUVER
Mohamed Elsayed Mohamed Shata, G. Pixel Art between Digital and Realism and its impact on Creative Sculptural Thought. Journal of Heritage and Design, 2024; (): -. doi: 10.21608/jsos.2024.298514.1536