The role of compound action in processing the spatial space of mural painting

Document Type : scientific articles

Author

faculty of fine arts - Mansoura University

Abstract

The art of mural painting is one of the types of plastic arts that has provided an opportunity for many artists to be creative. Their methods and techniques have evolved and become numerous and diversified to achieve an artistic work that addresses all segments of society. It can be executed in the form of complex works. Recently, the designs of mural works are not limited to traditional solutions. With the development of modern science, solutions have emerged to implement the synthesis of compositions in mural painting works, and to combine them with multiple images and benefit from them in a modern, advanced manner. Among the emergence of one of the solutions to the problems of space is composite work, as space sometimes stands as an obstacle to the mural painting. The compound action has contributed to the existence of solutions for mural work designs and methods of implementation that have become more available than previously, by making use of various materials, whether traditional or modern, with a wide range of design solutions and developing the implementation process for mural painting works, in a way that is commensurate with the requirements of the mural painting for his designs, implementation and technical supervision. Which contributed to the development of this mission. The architectural wall of the mural painting (the painting stand) is one of the most important elements of the design. It represents and constitutes the most important aspect of the design and its solutions.

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