Psychological Projections of body painting by Some Expressionist Artists

Document Type : scientific articles

Author

Faculty of Fine Arts Department of Oil Painting , Minya University

Abstract

The concept of psychological projection has been evident in the art left behind by primitive humans on cave walls, utilizing primitive techniques and simple materials available for their art. They painting their fears and concerns present in nature, as well as painting animals and how to hunt them. It was believed that painting these subjects allowed them to control and overcome their fears, leading to a sense of satisfaction. Art documented daily human events, both small and significant, and expressed internal emotions, in painting especially. During the Middle Ages, artists were constrained by religious laws and affiliations as they were integrated into religious communities and environments. Consequently, they produced numerous religious-themed artworks. In the Renaissance era, artists faced new challenges due to the wars of the time that had a profound impact on society. This has led to a greater focus on the psychological aspect of the individual. The expressionist movement emerged, shifting the focus from a mere representation of reality to a more psychological painting of the human body. This shift was a result of the emergence of psychoanalysis, which introduced new methods for expressing the human body. The body became a powerful subject in art, heavily influenced by psychological projections. During this time, a group of expressionist artists emerged who incorporated psychological projections into their artistic paintings of the human body.

Keywords

Journal of Heritage and Design

Articles in Press, Accepted Manuscript
Available Online from 09 November 2023

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