Document Type : scientific articles
Authors
1
Assistant Professor of Design, Department of Textile Printing, Dyeing and Finishing
2
Bachelor's degree, Department of Textile Printing, Dyeing and Finishing - Faculty of Applied Arts - Helwan University - Arab Republic of Egypt.
3
** Bachelor's degree, Department of Textile Printing, Dyeing and Finishing - Faculty of Applied Arts - Helwan University - Arab Republic of Egypt.
4
*** Bachelor's degree, Department of Textile Printing, Dyeing and Finishing - Faculty of Applied Arts - Helwan University - Arab Republic of Egypt.
Abstract
This review article explores the use of makeup elements in contemporary textile designs and their relationship to the performer's personality, as well as the integration of historical motifs, specifically Pharaonic, Greek, and Islamic, in theatrical performances. It examines the intersection of fashion, history, and cultural representation in the field of textile design for the theater. Through analysis of existing research, artistic works, and historical references, this article aims to shed light on the significance and impact of makeup elements in modern designs and the preservation of historical motifs in theater.
This review article explores the use of makeup elements in contemporary textile designs and their relationship to the performer's personality, as well as the integration of historical motifs, specifically Pharaonic, Greek, and Islamic, in theatrical performances. It examines the intersection of fashion, history, and cultural representation in the field of textile design for the theater. Through analysis of existing research, artistic works, and historical references, this article aims to shed light on the significance and impact of makeup elements in modern designs and the preservation of historical motifs in theater.
This review article explores the use of makeup elements in contemporary textile designs and their relationship to the performer's personality, as well as the integration of historical motifs, specifically Pharaonic, Greek, and Islamic, in theatrical performances. It examines the intersection of fashion, history,
Keywords
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