THE ROLE OF THE MURALS OF TASSILI IN INFLUENCING THE CONTEMPORARY ART MOVEMENT AFTER INDEPENDENCE IN ALGERIA

Document Type : scientific articles

Author

helwan university,faculty of fine arts,cairo,egypt

Abstract

Since ancient times, the Tassili Mountains region has been a source of inspiration for many artists, whether from Algeria or from other nationalities.Its roots extended to separate regions of Africa, and the stability of the climatic condition was one of the most important motives for human settlement in caves and the beginning of sheep herding. The ancient man was able to exploit all the surrounding natural elements such as stones and ostrich eggs and decorate them with vertical and undulating decorations to produce rich works of art despite their simplicity and primitiveness. Animals thinking that by filming these scenes he will gain strength to overcome them later. They also included in their mural their own writing "Tifinagh", a writing system of their own, which is one of the oldest writings in history. This rich artistic heritage was able to influence a whole generation of contemporary artists who had faith in their identity and roots and made a great effort to revive it, preserve its survival and spread it around the world through various artistic forums and exhibitions, especially after Algeria gained its independence. From the French occupation, artists such as Muhammad Khadda and Muhammad Isakhem and artistic movements appeared in protest against the traditional art schools, such as the Al-Awsham group led by Denise Martinaz, as a contribution from them in preserving the heritage and Amazigh art and adhering to their roots. Their main reference was the murals and sculptures of the Tassili region.

Keywords

References

*اولا:المراجع العربية:
- بن بوزيد الاخضر,الطاسيلى ازجر فى ماقبل التاريخ المعتقدات والفن الصخرى.
- bin buzayd aliakhdir, altaasilaa aizjir faa maqbal altaarikh almuetaqadat walfana alsukhraa.
- بوسيدرة محمد,نشاة الفن التشكيلى الجزائرى,سنة النشر 2015/1436ه.
- busidrat muhamadi, nashat alfani altashkilaa aljazayiraa, sanat alnashr 2015/1436 h.
- صورة الثورة الجزائرية عند الفنان التشكيلى الجزائرى, رسالة لنيل الماجيستير لبورغدة ابراهيم,جامعة عبد الحميد بن باديس,مستغانم,2017/2018.
- surat althawrat aljazayiriat eind alfanaan altashkilaa aljazayraa, risalat linil almajistir liburghdat abrahim, jamieat eabd alhamid bin badis, mustaghanimi, 2017/2018.
- فلسفة البيانات الثقافية الفنية (بيان جماعة الاوشام نموذجا) عمارة كحلى.
- falsafat albayanat alfaniyat alfaniya (byan jamaeat alawsham namudhaja) eimarat kahalaa.
-الجزائر قراءة فى جذور التاريخ وشواهد الحضارة.
-aljazayir qira'at faa judhur altaarikh washawahid alhadarati.
- الفن الصخرى فى تادرارت الاكاكوس(التقنيات,الاساليب,والمخاطر),د/مفتاح عثمان عبد ربه ,جامعة بنغازى كلية تربية المرج ,المجلة الليبية العالمية.
- alfanu alsukhraa faa tadrart alakakus (altiqniaati, alasalib, walmakhatiru), d / miftah euthman eabd rabih, jamieat banghazaa kuliat tarbiat almarji, almajalat alliybiat alealamiati.
 
*ثانيا:المراجع الاجنبية:
-  les gisements neolithiques de tan-tartait et d`I-n-itinen Tassili-n-Ajjer (Sahara Central) par H.Alimen, F.Beucher,H.Lhote avec la collaboration de G.Delibrias.
- A propos d`un site a gravures de la Tadrart algérienne : récurrence d`une association image-inscription, Jean-Loïc Le Quellec.
- Denis Martinaz, peintre algérien, Nourredine Saadi.
- Saharan rock art: local dynamics and wider perspective (Marina Gallinaro).
- Rock art of the Tassili n Ajjer in Algeria.
- Writing the desert: The Tifinagh rock inscriptions of the Tadrart Acacus (southwestern Libya), Stefano Biagettia, Ali Ait Kacic, Lucia Moria and Savino di Lerniaa, d.
-premiers résultats du projet algero –français de datation directe et indirecte des images rupestres dans la Tasili-n-Ajjer.
 

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