Analytical study of the most important artistic techniques used in the direction of mass culture "pop art"

Document Type : scientific articles

Author

Assistant Lecturer at the Higher Institute of Applied Arts - Sixth of October

Abstract

The diversity in the artistic techniques used in the different artistic fields imposes on artists new ideas, new materials, new performance and creation of new art after the viewer has become bored with traditional works. These techniques also helped mass art artists in particular in expressing life and the political, economic and social events that surround them, especially graffiti art. Mass art artists and designers used various artistic techniques, such as collage, photography, graffiti art, spray techniques, silkscreen printing, stenciling, digital art, or digital art.
This research aims at shedding light on the artistic techniques used by mass art artists and try to apply them in various fields of art.
Research Objectives: To shed light on the artistic techniques used by mass art artists.
The importance of the research: Attempting to take advantage of the various techniques and their application in various fields of arts.
Research axes:
The first axis: the definition and types of techniques used by Pop Art artists in their artwork.
The second axis: Collage and the pioneers of the art of collage.
The third axis: the art of graffiti, its pioneers, and the projects that used the art of graffiti.
The fourth axis: digital art or digital technology and its schools.

Keywords

References

  1. آل قمّاش، قمّاش علي تيارات الفن الرقمي و تقنياته، كتاب منشور، ( ٢٠٠٨ ), ص 143.

AL Kamash, Kamash Ali, taiaratalfan alrakamy WA tekniato, ketab manshor, 2008.

  1. سالى الحق وحسام فازولا ،الواقع والخيال"الرقابه والإبداع ف ظل ثلاث أنظمه مختلفه"،كتاب منشور مؤسسة حرية الفكر والتعبير،2014,ص21

Sally al-Haq wa hossam farola,alwake3 wa alkhial”alrekaba wa al2ebda3 fe zel thalath anzema mokhtalefa/,ketab mashor,mo2asast horiat alfekr wa alta3ber,2014.

  1. لمى عبد الرحمن الحركان، الفن الرقمى ، محاضره قسم التربيه الفنيه، جامعة المللك سعود، 2014

Lama abed elrahman alharkan, mohadara kesm altaarbia aalfania, gam3at almalek so3od, 2014,

  1. هبه عبد المهیمن محمد عوض , "كتاب الفنان بالكولاج المستدام لتنمیة الوعى البیئي والحس الجمالى للمجتمع" , ماجستير ,كلیة الفنون التطبیقیة , جامعة دمياط , ,2012.

Heba abed elmohaimen Mohamed awaad, ketab alfnan be elkolag almostadam letnmiat alwa3y albe2y WA alhes algmaly lelmogtaama3, resalet magester, koliat elfonon altatbekia, gam3at domiat, 2012

  1. Alienation_Catalogue_Final.pdf , بحث منشور 2012p 31,32
  2. David Bland – Ahistory of book illustration – Faber and Faber limited – London – 1958.p54
  3. http://www.jidar.ma/wp-content/uploads/2015/LIVRET-JIDAR2015-SITE-WEB-JIDAR.pdf, LIVRET-JIDAR2015-SITE-WEB-JIDAR.pdf, منشور لمعرض جدار لفن الجرافيتى فى الاردن , النسخه الاولى ,2015
  4. Nita Leland, Virginia Lee. Williams, creative Collage Techniques , North Light books ,Cincina ,ohio,1994,p30.
  5. pb_solo_show.pdf Sir Peter Blake-Solo exhibition 31st March - 14th April 2012
  6. http://www.mayahayuk.com / الصفحه الرسميه للفنانه مايا هايوك
  7. /http://www.fineart.gov.eg الموقع الالكترونى لقطاع الفنون التشكيليه
  8. http://www.abadiafez.com/الصفحه الرسميه للقنان أبادى حافظ

Files

Share

How to cite

Statistics